Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Monday, June 26, 2017

Vektor Terminal Redux 2016 Reseña Review



Banda: Vektor
País: Estados Unidos
Álbum: Terminal Redux 
Género: Progressive Thrash Metal
Tipo: Full-length (LP)
Lanzamiento: 6 de Mayo, 2016
Sello: Earache Records
Formato: CD



Numerosas bandas tratan de recrear la atmósfera del Thrash Metal, mientras que sólo unos pocos logran crear algo verdaderamente especial. 


Para muchos, Vektor está llevando esencialmente la antorcha del Thrash Metal moderno. Es una afirmación completamente comprensible; La banda ha lanzado tres álbumes hasta el momento, y cada uno de ellos ha recibido una gran cantidad de elogios. Los escépticos les recuerda demasiado a Voivod, pero yo diría que todo el concepto de "Thrash Progresivo" es donde esa semejanza comienza y termina. Claro, también está el tema del espacio, pero ambas bandas tratan esa idea de diferentes maneras. Mientras que la música de Voivod está mucho más basada en el pánico y la confusión, Vektor adopta un enfoque más expansivo y de otro mundo a su atmósfera. Eso, agregándole una capa de estética de metal extremo al núcleo prog-thrash de su sonido. Vektor es básicamente una de las bandas de Thrash más aclamada en los últimos años. 


La tercera oferta de Vektor parece ser esa rara ocasión en la que tiene el potencial de tomar su lugar entre los mejores álbumes del género de los últimos 25 años, algo más o menos así: a medida que el polvo se asiente, podríamos estar experimentando en 10-15 años, uno de los mejores LP’s Thrash de todos los tiempos. Así es como se siente “Terminal Redux”, realmente especial; El lanzamiento más completo de Vektor hasta la fecha. Mis expectativas para éste álbum eran realmente altas. Después de dos excelentes lanzamientos en 2009 y 2011, el cuarteto de Arizona fue aclamado como el salvador del Thrash y señalado como una de las mejores bandas en la escena del metal. En los cinco años que transcurrieron entre el "Outer Isolation" al "Terminal Redux", el entusiasmo y las expectativas crecieron hasta llegar a un punto en el que parecía imposible que la banda simplemente pudiera comenzar a cumplir con los enormes estándares creados por la comunidad de metal en su conjunto. 

La primera impresión del álbum es el puro nivel de intensidad. Puede que no sea tan agresivo como los esfuerzos anteriores de Vektor, pero sin duda se siente más maduro y bien redondeado y no falla en términos de energía o pesadez. La combinación de la integración de influencias inusuales es lo que lo separa de la escena Thrash moderna restante. Y aunque algunos pueden pensar que esto no es una hazaña seria, imagínense si "Terminal Redux" fuese sido lanzado hace 25 años, ¿cómo habría sido recibido y medido contra los mejores álbumes del género? Volviendo al alto nivel de composición de canciones, basta con decir que simplemente no se siente como un LP de 73 minutos, Vektor logra mantener al oyente comprometido a través de una variedad de riffs bien elaborados, temas significativos y un montón de momentos inesperados. Por ejemplo, desde el principio, uno está gratamente sorprendido por las melódicas voces de apoyo hacia el final de “Charging the Void”. Hay ocasiones en las que la música se siente como un caos perfectamente organizado con una guitarra que tiene su raíz en el Black Metal, voces que recuerdan a "The Sound of Perseverance" de Chuck Schuldiner, momentos de serenidad y pasajes emocionales como en “Cygnus Terminal". Es esta combinación que crea un producto altamente adictivo y atractivo. Desde el punto de vista técnico, "Terminal Redux" es sólido. En el espacio, nadie puede oírte gritar... A menos que seas David DiSanto, él suelta sus pulmones en una magnitud de caídas de mandíbula. Las cualidades líricas y vocales que hicieron que los últimos álbumes de Vektor tuvieran éxito no pierden nada de su potencia aquí. Los raspadores de marca están presentes en todas las canciones y sus chillidos alienantes, lanzan las canciones en mayor intensidad.

En lugar de simplemente mostrar un tecnicismo sin sentido, "Terminal Redux" es un álbum conceptual. A lo largo del álbum, sentimientos como la ira, la desesperación, la malicia, la melancolía y el aislamiento entre otros, se comunican a través de la instrumentación controlada con el uso de la tecnología, pero al mismo tiempo critica la dependencia excesiva de la gente moderna en sus computadoras y pantallas de teléfonos. Todo lo anterior, combinado con la naturaleza de la ciencia ficción, construye una aventura musical equivalente a “Blade Runner” de Ridley Scott. Los escándalos, como la inclusión de un grupo de cantantes soul, o una balada con voces limpias, también ayudan a mantener el enfoque sin sentir cansancio. Indudablemente, el punto culminante del álbum viene después de "Collapse" y es donde parece que todo viene junto. "Recharging the Void" es dinámico, melódico, pegadizo a pesar de su duración, e incluso incluye una parte de "Charging the Void", que da la sensación de que la historia ha llegado a un círculo completo. En este punto, se debe hacer un aviso especial con respecto a la producción ya que todo suena limpio pero no clínico, manteniendo el sonido crujiente de las guitarras y manteniendo el bajo en un punto donde es audible. Además, otro elemento que hace destacar a "Terminal Redux" son sus influencias instrumentales que van desde solos de guitarra o simplemente el nombre del régimen imaginario (Cygnus), que gritan a Rush e incluso a Pink Floyd en "Recharging the Void". Por lo tanto, uno puede fácilmente categorizar el álbum fácilmente tan Progresivo como Thrash

Decir que "Terminal Redux" de Vektor excede esas expectativas es un eufemismo igualmente grande. Más allá de la dirección musical, sin embargo, es la creatividad impresionante que brilla. En pocas palabras, “Terminal Redux” es una impresionante declaración de las capacidades del Thrash Metal como una forma de arte. La belleza y la creatividad están ejemplificada aquí, Vektor ha creado un álbum honesto, y la diversión asociada con el género no se pierde en absoluto aquí; No, en lugar de abandonar su género de elección, estos chicos simplemente han tomado una dirección completamente nueva y emocionante.



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By: .Ghostscore.

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Wednesday, June 14, 2017

Off Topic CD Review Monster Ballads Xmas

Off Topic CD Review Monster Ballads Xmas


Monster Ballads X-Mas. Razor & Tie, LLC. New York, NY, 2007.


Yeah, yeah, its off topic by a long ways but its my blog so what the heck. That and I love Christmas music so it seemed appropriate to me.

Coming of age in the 1980s allowed me to listen to some of the best in metal there has been. OK were not talking Led Zeppelin or vintage Black Sabbath but the hair metal era was a great time for music. Long may it live on great compilations like this one.

Monster Ballads Xmas contains 15 mostly rocking tracks. As with any compilation of course some are better than others. This one has extremes on both ends. Some songs are great versions and there are a couple of clunkers thrown in as well.

For me this CD gets off to a great start with Skid Row doing a somewhat punk sounding version of Jingle Bells. Its not Sebastian Bach but this track gets the CD going in the right direction right from the start. Winger does a great version of the John Lennon classic Happy Christmas (War is Over). I really liked the mixing of acoustic and electric guitar on this track.

Twisted Sister join forces with Lita Ford and belt out a version of Ill Be Home for Christmas that grew on me after a few listenings. It wasnt my favorite at first but Dee and Lita show they can both sing. Good musicianship backing them here. Geoff Tate and Queensryche do an admirable version of White Christmas. Its good but it didnt give Tate the chance to let his voice soar like he can. He could give Josh Groban a run for his money on Oh Holy Night if you ask me! For pure rock n roll fun you cant miss Firehouse belting out Rockin Around the Christmas Tree. Youll bang your head! I think Brenda Lee would be proud of them.

Tom Keifer (from Cinderella) contributes a great blues version of Blue Christmas. This really shouldnt be too shocking for those who remember Cinderella. This may be one of the under appreciated tracks on this CD. Stryper obliges our craving for live music with a really very good version of Winter Wonderland. Sure its kind of corny with the normal concert interaction between band and audience with Michael Sweet asking three times if the crowd was ready for Christmas. Thats OK because it leads to his singing a really powerful version "Stryper style" as he puts it. Good guitar and drum work. The album closes out with Billy Idol who really is out of place here. He never would have been considered metal let alone hair metal. That said his original tune Christmas Love is surprisingly good and as he says "if everybody gives then everybody receives".

There were a couple of middle of the road tracks for me. Dokken does a serviceable job on Santa Claus is Coming to Town. I grew up with MTV so its hard to beat Bruce Springsteen on this tune. While Nelson always seemed pretty corny the brothers did a pretty good job here with Jingle Bell Rock.

I really liked L.A. Guns and Faster Pussycat when they were at their best. The Guns version of Run Rudolph Run didnt do it and the Trent Reznor/Marilyn Manson inspired version of Silent Night from Faster Pussycat left me a bit disappointed. I kept waiting for it to explode and it never did. Danger Danger and Enuff ZNuff both performed what appear to be original songs that I dont think well be hearing too much of in the future. Poor Jani Lane from Warrant though may have laid the biggest egg on this one though. I have yet to get through Have Yourself a Merry Little Christmas.  My biggest non music complaint about this is the lack of liner notes. All you get is a song/band listing with song publisher information and in some cases what record label a band is on.

Despite these being Christmas themed songs the bands really did a fine job overall. While pretty well sticking to the original versions there was enough new and creative on these songs to satisfy. The guitar and drum work reminded me of how good some of these bands were musically and overall the vocals were strong.

If you were a hair metal fan in the 1980s you really should pick this CD up. Itll bring back some great memories. If you are having a Christmas party and want some great rock music playing in the background this could be your best bet. If nothing else itll keep the guests guessing as to who the bands are.
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Saturday, May 27, 2017

Video Review PBS American Experience Death and the Civil War


The PBS show American Experience has been broadcasting Death and the Civil War over the last week. The good people there were kind enough to send along a DVD review copy that I have been able to watch. Overall I was quite impressed.

Taking its inspiration from Drew Gilpin Fausts excellent book This Republic of Suffering: Death and the American Civil War (Vintage Civil War Library)this is a show that anybody interested in the Civil War should take the two hours needed to watch. While not breaking any new academic ground viewers can see photos of and hear the horror of the war. Despite early hopes this was not to be a quick event. With over 700,000 dead nearly every family in the country was affected.

Narration is broken up several ways. The main narrator is Oliver Platt and his voice lends a solemnity to the show befitting the subject. Letter excerpts are read by several others including Amy Madigan. Every documentary like this will have its share of "talking heads" and this one is no exception. Dr. Faust of course plays a main role. Others, such as George Will, J. David Hacker, and Vincent Brown may or may not be known by viewers. I personally found the contribution by David Blight a highlight. I came to know of him after downloading a course of his from the Apple University site and find him to be an engaging speaker. I have not read any of his books so I can say what I feel about those however. Another surprisingly interesting speaker was Thomas Lynch. Lynch is an undertaker by trade but also an author of note. You can read an interesting, but older, interview with him here.

The video portion of the program is really quite haunting. The photos used are a nice mix of well known and those I have not seen before. The lighting of the whole program is done in such a manner as to constantly remind the viewer of the seriousness of the subject. The background music for the program should be payed attention to. It helps set the mood but at no point is it overwhelming. I was not familiar with the name Brian Keane until searching out the music credits here. He is however quite well known and has scored numerous films and documentaries and has won multiple major awards.

Overall the program is broken into six major subjects including: dying, burying, naming, believing and doubting, accounting, and remembering. A major question that is asked by the program is if its citizens are expected to make the ultimate sacrifice (death) for the government what does the government owe to its citizens who make this sacrifice. At the time of the war neither government was able or ready to answer this. Out of the war however came improved medical care including the formation of an ambulance service, an improved ability and desire to remove soldiers remains from the field and to identify them thus giving families closure, and with the formation of national cemeteries soldiers and their families are able to give a proper burial to their brave men (and now women).

Again, while not breaking any new ground this is a show I can highly recommend. The images and subject are likely to stick with you for quite a while after watching this. Be sure to check your local PBS station for times or watch it online at your convenience.
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Monday, May 1, 2017

Tweakboy Ultimate Overclocking Handbook Review

Its pretty much common knowledge that PC is the best platform for playing Battlefield 3 on. You get more players on the field at once, better graphics, and greater control thanks to the humble mouse and keyboard combo.

However, you need a FAST computer to run Battlefield 3 properly. Nothing sucks more than laggy framerates and choppy performance when playing a game that was made specifically to look great. Now if you havent already taken a look at my quick guide to increasing your Battlefield 3 framerate, you should do so... but its important to remember that short of purchasing new hardware, there is nothing more effective at boosting your framerate than overclocking.
 
The biggest difficulty with overclocking is that it is a bit of a minefield if you are inexperienced (in fact, even experienced over clockers can run into trouble)

Thats where the Tweakboy Ultimate Overclocking Handbook comes into play. This is a comprehensive eBook guide to wringing the maximum performance possible out of your current PC hardware setup. Its basically a complete guide to take you from overclocking zero to hero.

Here is my Tweakboy Ultimate Overclocking Handbook review:

The main thing you will notice with the Tweakboy guide is that it is a complete blueprint for overclocking. Ive used quite a few different OCing guides in the past (I mean who doesnt love to get the most out of their hardware as possible?) but most of them deal with all the different components of the computer as totally separate entities, and dont relate them back together. What I mean is that you might get a guide to overclocking your CPU, and then another one for the video card, but there is nothing on how you can link your overclocking efforts together for the maximum possible framerate.

However, Tweakboy teaches you how to sync your overclocking efforts together to get the maximum possible performance increase. This is some seriously cool stuff, because by synchronizing everything you are going to get some much bigger framerate increases.

Heres a picture of a world record processor overclock made with the Tweakboy overclocking blueprint:

As you can see, thats some pretty impressive performance there. While Ive never managed to rack up anything that insane on my own machines (mainly because I dont want to push out the boat so much as to risk causing damage) I have absolutely no doubt that anyone following the Tweakboy blueprint is going to see massive increases in performance, clock speed, and gaming framerate.

The guide currently sells for $47 USD, which is a bit on the pricey side for an eBook. However, when you consider that you are going to see framerate and general PC performance increases equivalent to probably hundreds of dollars of new components and hardware, the Tweakboy Ultimate Overclocking Handbook suddenly becomes a lot better value. You also get a 60 day money-back guarantee in case you arent satisfied with the results you get, and payment processing is 100% safe and secure.

Finally, the Tweakboy support team are very friendly and easy to contact, so you can always get in touch with them easily and they will help you out every step along the way with your overclocking efforts.

Overall, I review the Tweakboy Ultimate Overclocking Handbook very highly, and truly recommend that you buy yourself a copy and get the maximum performance possible out of your PC. Click here to learn more about the Tweakboy Overclocking Handbook.



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Wednesday, April 19, 2017

Video Review Rebel presented by Voces on PBS

Premiering on the PBS show Voces, May 24, 2013 is the hour long documentary titled Rebel.

Romi Dias stars as Loreta Janeta Velazquez.
Photo: Gerard Gaskin
Rebel recounts the story of Loreta Velazquez, a Cuban born woman who becomes a Confederate soldier before turning Union spy. This work, directed by Maria Agui Carter, is based upon Velasquezs post war memoir titled The Woman in Battle: The Civil War Narrative of Loreta Janeta Velazquez, Cuban Woman and Confederate Soldier (Wisconsin Studies in Autobiography).

Largely a forgotten figure, through the writings of Velazquez and the commentary of academics and historians such as Gary Gallagher we learn the story of a woman who could be considered a tragic figure who was ahead of her time.

Loreta was born to a well off family in Cuba who in 1849 sent her to New Orleans. Here her spiritedness began to show as she  refused what appears to have been a prepared marriage. She eventually marries a white man (i.e. not Hispanic or black) who appears to only be known by the name William. They quickly have two children with a third on the way when William is sent by the army to Indian Territory. Loretta and her children move to St. Louis where her infant child dies days after birth and soon after her other two children die from a fever epidemic that sweeps through St. Louis.

As the political situation worsens war becomes apparent. William resigns his army commission and joins the Confederacy with his home state (I assume this to be a Texas regiment and not the United States Army but this is unclear in the documentary). He is sent to Pensacola, FL where he is killed though it is called an accident.

With no family, no home, and seemingly no country Loreta transforms herself into a Confederate soldier by the name of Harry T. Buford. As Buford she fights at Bull Run, Shiloh, and other locations being injured several times. While serving as a Confederate she acquires a slave by the name of Bob. Bob serves her well until escaping to apparent freedom at Shiloh. It is unclear the relationship with Bob and if he knew Loretas/Harrys secret.

In July 1863 it is discovered that Harry is a woman and Loreta is considered to possibly by a Union spy. This charge could mean death. General John Winder however frees her several days later now using her in the Secret Service Corps. Shortly there after she goes to work in Baltimore for the Union Secret Service.

In 1875 she and her book ran afoul of Jubal Early, he of the Lost Cause. Early, who is portrayed harshly in Rebel with a wild eyed and untamed look, refuses to believe her story and essentially calls her a female camp follower; or prostitute. For the most part she disappears though she does show in printed records until 1902. According to the documentary her burial location is unknown.

While seemingly short on detail this is still a worthwhile program to view. In the filmmakers defense there really is little detail about Velazquez available. The filmmakers have used her own limited writings for much of the dialogue. During this story we learn of the race issues common in the south during this period. We also see that Velazquez sees a changing in the role of money and finances as the war drags on. Where strongest however is where we learn about the overall role of women in the time period. It is estimated that maybe 500-1,000 served in the war. The role of a woman was not questioned in the mid 19th century. The clothing and appearance of a woman was not open for debate or interpretation. Sexual roles were firm and not to be changed. Society was not ready for women such as Loreta Velazquez.

Cast
Loreta Velazquez--Romi Dias

Filmmakers
Maria Agui Carter--writer, producer, director
Calvin Lindsay, Jr.--producer

Academics and Historians
Catherine Clinton
Renee Sentilles
Kirsten Silva Gruesz
Christina Vella
Jesse Aleman
Vicki L. Ruiz
DeAnne Blanton
Elizabeth D. Leonard
Richard Hall
Carman Cumming
Gary W. Gallagher

Thank you to CaraMar Publicity for sending a preview copy of Rebel!
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Tuesday, April 4, 2017

Voivod Post Society 2016 Reseña Review



Banda: Voivod
País: Canada
Álbum: Post Society
Género: Progressive/Thrash Metal
Tipo: (EP)
Fecha de Lanzamiento: 2016
Sello: 

Century Media Records

Formato: CD

Voivod nunca ha sido una banda tan popular como muchos creen, pero la muerte prematura de Dennis DAmour (Piggy) y la amplia cobertura que recibió por los medios de comunicación de Metal, de alguna manera impulsó a los fans a eliminar de nuevo a la banda de la obscuridad inmerecida en la que estaba metida durante buena parte de su carrera. Este mayor nivel de atención, combinado con el reclutamiento más que eficaz del guitarrista extraordinario Dan Mongrain, premió el álbum "Target Earth" de 2013 con la cantidad correcta de méritos.


La salida de la oscuridad también se expresó en términos de actuaciones en directo en ambas orillas del Océano Atlántico; Se llevaron a cabo visitas conjuntas con aclamados equipos de metal extremo, lo que a su vez, trajo lanzamientos especiales de un puñado de singles divididos como correspondientes símbolos de conmemoración. Además, el material adicional fue compuesto y adaptado por la banda, que se mantuvo en forma, en términos de composición. Con un nuevo álbum en las obras para un lanzamiento de 2016, los canadienses nos están sirviendo una recopilación del EP del material antes mencionado, en la facilidad parcial de nuestra anticipación cada vez mayor para su nuevo trabajo.


Tras el lanzamiento de los singles divididos, los miembros de la banda declararon que gravitaban hacia la fusión de todos los estilos ideados en su carrera. Esta afirmación es parcialmente verdadera, ya que el período bruto de los dos primeros álbumes, así como los días industriales mediados a finales de los años ‘90, se han dejado fuera de la olla. 


Lo que hay aquí es la época triunfante del rock psicodélico/progresivo de Voivod, vista a través de los gafas de velocidad del Thrash Metal de la banda. Excluyendo el cover de Hawkwind "Silver Machine" que se adapta a los estándares de la banda, sin embargo, es parcialmente exitosa en la transmisión de la vibración orgásmica de la melodía original, todas las canciones son realmente agradables (y tal vez demasiado) familiar a los fans de mucho tiempo. Después de todo, los repentinos cambios en el tempo, las guitarras disonantes y el extraño trabajo vocal que narra (no sólo) historias temáticas de ciencia ficción, han sido pan y mantequilla de la banda desde hace bastante tiempo.


Los nuevos miembros suenan perfectamente integrados en el pliegue; Mongrain continúa entregando el maravilloso trabajo que puso de relieve a “Target Earth” hace tres años, mientras que el bajo de Rocky es una delicia para escuchar, ya que no falta de talento para complementar la batería de Away, ni respecto a ninguno de sus predecesores. En cuanto a la voz de Snake, está sonando más y más con el tiempo, destacando de nuevo sus estilos ya establecidos. Sus vibraciones en "Post Society" y "Forever Mountain", combinados con la adaptación de la estructura de "Fall", son un testimonio de la evaluación antes mencionada. 


En vista del próximo álbum de larga duración, una prueba de la buena forma de la banda no era una necesidad desesperada, pero con este EP, Voivod demuestra que todavía están luchando la batalla cuesta arriba.



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By: .Ghostscore.

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Monday, April 3, 2017

Tomb Raider Game Review


Description:

Tomb Raider for NVIDIA SHIELD delivers the acclaimed adventure experience of the 2013 version of the game for Android. Armed with only the raw instincts and physical ability to push beyond the limits of human endurance, Tomb Raider delivers an intense and gritty story into the origins of Lara Croft and her ascent from a sheltered young woman to a hardened survivor.

KEY FEATURES: 

A Turning Point: Experience Lara Croft’s intense origin story from a sheltered young woman to a hardened survivor. 

An All-New Raiding Experience: Explore a mysterious island filled with environmental puzzles, visceral combat, and tombs to discover. 

Fight to Live: Salvage resources, gain experience, and upgrade Lara’s weapons and tools to survive the island’s hostile inhabitants. 


Requirements:
NVIDIA SHIELD Android TV
SHIELD game controller
5.5 GB of storage.
The game runs at 720p HD resolution on supported displays.

This version supports Google Play Achievements and cloud saves with Google Play Games sign-in. 

(Supported Languages: English, French, German, Italian, Spanish, Portuguese, Danish, Czech, Russian, Polish, Arabic, Chinese, Korean)

NOTE: Co-op and multiplayer modes are not currently supported.

This game is subject to the terms of the EULA at https://images.nvidia.com/lightspeed/eula/tr2013_eula.htm.

Tomb Raider © Square Enix Ltd. 2013. Square Enix and the Square Enix logo are registered trademarks of Square Enix Holdings Co., Ltd. Lara Croft, Tomb Raider, Crystal Dynamics, the Crystal Dynamics logo, Eidos, and the Eidos logo are trademarks of Square Enix Ltd. Nixxes and the Nixxes logo are trademarks of Nixxes Software BV. All other trademarks are the property of their respective owners. All rights reserved. ©2017 NVIDIA Corp, Android version licensed to NVIDIA Corp for distribution and sale on Google Play.
  • Screenshots
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  • Official Trailer
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